Posts Tagged ‘AW11 Trends

01
Sep
11

A|wear A/W’11 preview

Hey All,

A nice change to write about a preview relevant to the season for once. I went along to the A|wear Autumn / Winter 2011 preview today. A mix of textured 60′s & 70′s pieces in autumnal and jewel tones, means that A|wear is in-tune with the rest of the high street; (its lower price points being the thing that will pull in the shoppers).

Highlights Include, Faux Furs, Especially Black

Classic Tasselled Loafers

Textures, Prints and Chunky Knits

Patent Mary-Janes and 3-tone leather bag

For me the two real stand out pieces; grey cigarette pants with ‘leather’ trim to the waist line and pockets…

…and the green tweed jacket, with bow detail being my favourites.

Bow detail.

Yours,

Whisty Xx

19
Aug
11

New Shoes : McQueen Slipper Pumps

Hey All,

I got new A/W ’11 shoes. I wanted plain black courts with no platforms, and I found these…

Allow me to indulge.

Alexander McQueen, calf skin, slipper pumps / court shoes from Brown Thomas.

I’m wearing them ALL weekend.

Yours,

Whisty Xx

08
Jul
11

A Style Post – Purple Oriental Floral Prints

Hey All,

I was at the Oasis A/W11 preview yesterday in Dublin. Oasis have joined the majority of the High Street in creating a hugely vintage-inspired collection for this Autumn / Winter.

Think 70′s sheer and metallic fabrics, midi-length dresses and knee-high boots, all in ox-blood, cerulean and mustard shades.

Think 60′s textures and prints; like Hounds-tooth and leather accents in monochrome and red.

With the appointment of a new buyer, the focus yesterday was very much about the accessories. I saw boots, biker, riding, ankle and knee-high; ballet flats in animal prints; delicious high-heeled loafers and beautifully made, classic leather handbags with pony-skin details.

I also had to try on this purple and fuchsia-pink, oriental print skirt & top outfit. (It’s limited edition and only available in the flagship stores, with 100 units of each.)

Top and Skirt, Oasis A/W 2011

Mini-bow necklace, Tesco

Shoes, Steve Madden

As for the rest of the collection:

High-heeled ox-blood loafers

Heeled loafers and ballet flats in animal prints / with horn detailing

Leather and Suede biker boots

Brown leather and pony skin bag

Black leather and pony skin bag

Rose-pink tweed suit

Check cape

Brown leather pencil skirt

Brown Crombie coat

Yours,

Whisty Xx

Photos of Whisty by Alice / White Rabbit of Quirky Fashion

01
Jul
11

Manley A/W2011 – Designer Q&A with Emma Manley

Hey All,

I’m really buzzed, and honoured to be posting this. It’s the new Autumn/Winter 2o11 look book from Irish fashion house, Manley.

Of the designs, Manley says; ‘Feminine frivolity and urban street-wear, juxtapose to make garments both hard and soft, powerful and preciously delicate at once’. The latest Manley collection has continued to incorporate elements used in Spring /Summer ’11 – like sheer fabrics contrasted against leather, studding detail, leather flowers, soft tailoring and a simple, monochromatic palette with neutral-shade highlights.

(Click images twice for a closer look!)

Of A/W 2011 they say; ‘Manley A/W 11 continues the inclusion of an unusual combination of luxurious fabrics. Her inspired collection includes both naturalistic and rugged fabrics including merino wools, mohair and pigskin, uniquely teamed with delicate chiffon and cotton shell.

I was also lucky enough to grab a few words with its inspirational owner/designer and Dubliner Emma Manley, to find out a little more about her and the latest Manley collection.

WHISTY:  So has it sunk in yet? You’ve just launched of your second collection; this is your job!? You own and design your own fashion label, how does it feel?

EMMA MANLEY: I try not to dwell on it. Right now, there’s an insane amount of work involved. As a one-lady brand, I’m forever learning things that maybe aren’t so natural to me – e.g. cost sheets, html. But what comes with that is the freedom of designing my collections season after season. I truly love what I do and I just hope I’m lucky enough to make a living out of it so that I can continue doing it forever.

W: After the incredible response you received for your S/S11 collection, how did you find designing a follow-up? Did you approach it in the same way or did you use knowledge gained from S/S11?

E.M.: Designing and producing S/S11 was a huge learning curve for me. It was my first real collection so there were plenty of hurdles to overcome. I got through it and at the end had a collection that I was proud of. Though I knew next time, I could go further. The only way of getting better is to learn from your mistakes. People’s reactions to A/W11 will tell all. I’m fast learning that the proof is in the bottom line.

W: Did you / do you get nervous before a launch?

E.M.: Absolutely! Good nerves though. Any collection that I launch is one that has been in the making for well over a year. That means me, and the four walls of my studio have lived and breathed that collection for a long time …. alone! To go from that to having the collection plastered over the pages of a lookbook for all to see and possibly criticise is kind of daunting.

W: Do you show the collection to friends and family for their feedback before you launch publicly?

E.M.: Always. Everyone that sees it, sees it for a reason. For example, my Mum was a designer so she looks at the collection from a technical point of view. She’ll cast a critical eye to pick out something that’s not sitting right or cut correctly. My sister is a bit of a fashion fiend so when she sees the collection it’s all about getting her feedback on what she’s loving and what she’s not so keen on. Like I said, everyone has their angle for constructive criticism and it’s all accepted greatly. I can’t be the only one to like the collection!

W: With so few well-known Irish designers around, do you think there is more or less pressure on you to create something fabulous?

E.M.: Pressure will always be there to design something different and wonderful; that’s the aim of the game. For me, most of the pressure comes from myself, wanting to better the last collection and go the extra mile each and every time. Whether or not there are 1,000 great designers in Ireland to keep up with or 10, makes no difference. If you’re all doing something unique enough, and well enough, you’re not competing with each other, you’re just tending to different parts of the market.

W: I see that you have successfully incorporated elements of the S/S11 collection into autumn / winter; sheer fabrics, leather details and a similar palette. Is this going to be a Manley trademark or just a Manley 2011 thing?

E.M.: A huge part of the Manley aesthetic is the contradictory theme. Mixing hard and soft, powerful and delicate, strict tailoring with frivolous layering. Leather and chiffon have contributed to this theme for the last two collections. They are fabrics I adore working with and right now, they suit the collections I’m working on. As for the colour palette, my base colours will possibly always be my base colours, it’s the highlighted colours that will change. In saying that, who knows, maybe I’ll have a change of heart one day and think that grey is the devil. In that case, not only would I have to change my colour palette, I’d have to throw out 50% of my wardrobe too!

W: You also describe your aesthetic as feminine without being overly girly (brilliantly executed in my humble opinion) is that because you think that’s how most women see themselves / their style?

E.M.: Women are feeling that bit more powerful than before. They dress to be taken seriously, but there will always be that little bit of us, that wants girlish fuss. I like the idea of wearing something that has an element of power and strength, such as a suit jacket and then underneath having a dress that is made up of layers upon layers of chiffon. Or a demure dress that drapes over your body without boasting your curves, but when you look twice, you see mega slits inconspicuously showing your pins off.

W: Can you sum up the AW11 Manley collection in five words?
E.M.: Hard. Soft. Power. Seductive. Unique.

For further information please view or contact Emma Manley at:

E: info@emmamanley.com

P: +353 {0} 864077777

W: www.emmamanley.com

“>Facebook

T: @emmamanley

Xx

Have a great weekend peeps!

Yours,

Whisty Xx

28
Jun
11

Penney’s / Primark Aumtum Collection 2011 – Rails & Details

Hey all,

Last week I had a look at the latest mid-season offerings from Penney’s / Primark*. Most of the high street stores do two main drops; Spring / Summer and Autumn / Winter, with maybe a high summer drop of bikinis and that kind of thing.

Scrabble Cushions

But with such a vast range of pieces that consistently manage to hit the latest catwalk trends spot on, you can understand why Penney’s / Primark have more than two ‘seasons’.

Their latest collections due in stores from July – October, are a mix of colour blocking, country casual, 60′s monochrome and vintage 70′s inspired deliciousness.

Rails:

 And Details:

Knits, Heels & Coats:

Dear Tapestry bag, I’m going to get you.

Faux-Ostrich leather in maroon and dark blue

Shades of aquamarine

Oh I know we’re not ‘sposed to be loving platforms any more… but this is red suede people!

Simple Stripes

Vintage-inspired prints

Knitted shorts…? Gimme a brea… Oh hello!

Fair Isle Knitted shorts. Erm, I think so!

I love this, it’s a bit 90′s and I like the faux-fur shoulder detail

Padded pleather. Ah yeah, why not?

Now the sun’s decided to make an appearance, it feels OK to talk Autumn / Winter…

Yours,

Whisty Xx

* The majority of the collections in the two stores is the same. There are however some pieces that are chosen specifically for Penney’s and the Irish market.

15
Jun
11

New Vintage – The high street hits back.

Hey All,

Right If I’m going to embrace this 70′s thing – knowing that if I do, I’m going all the way through to Autumn / Winter 2011 – then I’m doing it with gusto. I’m thinking 70′s secretary; pussy-bow blouses, big shades; A-Line minis, or midi-length skirts worn with chunky heeled knee-high boots. I’m thinking Jane Fonda’s secretary chic from the movie 9 to 5‘:

mixed with the platform sandals,  floppy hats and high waisted shorts of Jodie Foster’s, Iris in Taxi Driver:

With the the rise of vintage and the rocky economy, High Street stores have literally had to take a step back in time to keep their heads above water. Many of the stores on the Irish High Street come from the UK, where there has been pretty subdued sales growth so far this year which is not set to change any time soon. Therefore, these stores have had to up their ante and tackle the fashion-buying-public’s vintage obsession head on.

Luckily, there are a few things that work in their favour when it comes to vintage clothing; for starters there is always a ‘tell’ with vintage that gives its age away; be it colour, skirt-length, fabric etc… So by reproducing a vintage piece for mass production in their stores, high-street designers are able to tweak a design to make it more on-trend and most importantly more commercial.

There is also the fact that most women, don’t have the time or the inclination to rummage through vintage shops and fairs looking for the perfect dress / blouse / skirt, only to find that it isn’t even in their size. Another thing about vintage is that some people just simply don’t like wearing second-hand clothes.

Seeing as the summer has (barely) begun, it’s now the norm that the glossies (see the latest issues of Elle and Vogue) are looking to Autumn / Winter 2011 already. The High-Street’s AW11 collection previews began in London months ago and having seen a few twitter sneak-peaks, this winter is all about the vintage-inspired.

Dropping at the River Island AW11 preview, I saw just how successful a collection that takes inspiration from previous eras and adapts then to a more modern style, can be. By acknowledging and incorporating some of the key elements that make vintage so appealing; voluminous, luxurious-feeling fabrics, bold prints and colours, and attention-getting style, the designers at River Island have created a lustful, AW11 collection that will tempt even the most dedicated chasers of vintage fashion.

Straight in with Wintery textures and fabrics: Faux-fur, leather and wool. All in black and white, with the odd flash of red.

More wool and faux-fur; loving the faux-snow leopard coat.

AW11 colours; notably mustard and cerulean (see ‘Raquel Heels’ shoes).

Loose crochet, Barbour-inspired riding boots, bright Trilbies and gypsy-print shawls…

More mustard and cerulean, along with turquoise, purple and ochre.

The skirt shape I’ll be wearing ASAP.

Faux-Camel-hair anything, makes me crave AW11…

Enter disco-glamour – tiger-print wedges…

Chunky-heeled, round-toe knee-high boots (with (‘Mezzie Tassel’) or without fringing).

Open fronted-silky blouses with huge poet-sleeves (‘Rouge Pusybow Blouse’).

The red secretary dress (‘Blush Pussybow Dress’).

And quite possibly the best shirt I’ve ever seen… Rumour has it there WILL be matching trousers! Oh MY!

‘Story’ names include; ‘Gigi’ – 60′s-inspired pillbox hats, bow-front pumps and carpet bags. ‘White Savage’ – white faux-fur out sized knits and beige leather accessories. ‘London Girl‘ – Brothel-creeper brogues, monochrome and Houndstooth prints. And ‘Hustler’ (see Iris, Taxi Driver reference above) – Cerulean Trilbies, silky shirts, huge wedges and disco-gold accents.

Yours,

Whisty Xx




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